![]() From Laurence, during the trial, we hear the story of a childhood that was relatively privileged, of parents whose affections were not always felt, and a mother in particular (who attends the trial) whose emphasis on European politesse and success demanded that young Laurence abandon Wolof and other cultural ties to their home in Dakar. ![]() The script, co-written with Amrita David, packs entire felt histories into the sparest of monologues. “I hope that this trial will give me the answer.” Early on, she is asked why she killed her daughter. She says that she does not think she is the responsible party in this crime. But when she is asked for her plea, she pleads not guilty. She does not deny doing this she will testify to all of it. Coly has been charged with leaving that child on a beach in Berck-sur-Mer, during a high tide. Her story is that she fell in with an older French man, named Luc Dumontet (Xavier Maly), and entered into a dispiriting romance that would only result in more isolation. Instead she found a country whose difficulties only inspired in her a grave sense of isolation and anger. The woman on trial, Laurence Coly (Guslagie Malanda), is a native of Senegal who came to France to study philosophy. How it is that a court full of people who’ve not only deemed you a monster, but also an “other” - an outlier to their way of life - may arrive at that understanding, or not. It sets before us what is at first glance an inarguable evil - the murder of a child - and asks us to confront, not only what we do not understand, but the terms of that understanding. It is a movie about language and testimony, mothers and daughters, and the specific burden of a Black immigrant woman who finds herself subjected to the French legal gaze. Far more complex, the movie finds, is the problem of how we should feel about the moral authority of the question - and the moral authority of the domain in which it can be asked. But it is not strictly concerned with the question of innocence or guilt as a problem of the law. JE NE SUIS PAS RESPONSABLE en cas de perte par LA POSTE ou problème d'acheminement (heureusement rare).Alice Diop’s Saint Omer is a movie about a trial. La marchandise voyage aux risques et périls de l'acheteur. Je n'accepte aucun paiement en TIMBRES ou LETTRES TIMBRÉES, que ce soit pour la marchandise, ni pour les Frais de port (vos timbres resteront en attente chez moi, en attendant la régularisation). Si vous voulez que j'adresse le courrier à une autre adresse, merci de me l'indiquer. L'envoi s'effectue à l'adresse figurant sur votre compte Delcampe et non à l’adresse Paypal. UNIQUEMENT PAIEMENT Paypal, Delcampe Pay ou Virement bancaire Suite à plusieurs soucis rencontrés, dorénavant tous les envois se feront en LETTRE SUIVIE. ![]() It will only result in ads being displayed that do not reflect your preferences and interests.īien lire mes conditions de vente avant d'enchérir.įRAIS D’ENVOI GRATUITS A PARTIR DE 10 euros pour la France UNIQUEMENT. Rejecting these cookies will not affect your use of our website, but it will not stop advertising on our pages. These cookies are used for marketing purposes to display targeted advertising on the pages of our website and on the websites you visit next. You can refuse cookies if you want to browse our website. They also allow us to evaluate the effectiveness of our marketing campaigns. These cookies are used to collect information about your use of the site in order to improve its content, make it more relevant to your needs and increase its usability. You may decline the use of these cookies. These cookies collect information about your viewing and search choices and preferences to make your browsing experience more enjoyable and personalized. These essential cookies are placed as soon as you access the site because they are required for navigation. Some of these cookies are also necessary to ensure the security of our website, for example in order to fight fraud. These cookies are essential to the operation of many of our services. ![]()
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